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The Eighty-four-leaf Album of the Shakyamuni Buddha in Chongshansi, Shanxi Province, China: Hadam Jung; Korean J Art Hist. 2020;307:113-152. Published online September 30, 2020; DOI: https://doi.org/10.31065/kjah.307.202009.004; Full text PubReader ePub PDF

The Date of Construction and Stylistic Origin of Bulil(佛日) the Gamro Stupa for the Honorable State Preceptor Bojo(普照國師甘露塔): Byung Hee Kang; Korean J Art Hist. 2020;307:67-112. Published online September 30, 2020; DOI: https://doi.org/10.31065/kjah.307.202009.003; Full text PubReader ePub PDF

The Stylistic Characteristics and Construction Date of the Five-Story Stone Pagoda at Bowonsa Temple Site: Dongwook Kim; Korean J Art Hist. 2020;307:35-66. Published online September 30, 2020; DOI: https://doi.org/10.31065/kjah.307.202009.002; Full text PubReader ePub PDF

Picturing the Divine Agents of Food Bestowal: The Seven Buddhas in the Sweet-Dew Painting of the Chosŏn Period,1392-1910: Taylor Pak; Korean J Art Hist. 2020;307:5-33. Published online September 30, 2020; DOI: https://doi.org/10.31065/kjah.307.202009.001; Full text PubReader ePub PDF

Women under Men’s Brushes: Representation, Production, and Cultural Consumption of Painting of Court Ladies in the Tang Dynasty: Hyunsook So; Korean J Art Hist. 2020;306:163-193. Published online June 30, 2020; DOI: https://doi.org/10.31065/ahak.306.306.202006.007; PDF

The Imitation of Chinese Ding Bronze Tripods as well as the Trends in and Influence of Their Imitations: Yong Jin Lee; Korean J Art Hist. 2020;306:137-161. Published online June 30, 2020; DOI: https://doi.org/10.31065/ahak.306.306.202006.006; PDF

Skanda-Karttikeya in Avalokitesvara Triad in Late Joseon: Minji Kim; Korean J Art Hist. 2020;306:99-135. Published online June 30, 2020; DOI: https://doi.org/10.31065/ahak.306.306.202006.004; PDF

Stone Basin and Maitreya Worship in Baekje: Joung Ho Han; Korean J Art Hist. 2020;306:69-97. Published online June 30, 2020; DOI: https://doi.org/10.31065/ahak.306.306.202006.003; PDF

Poetic sentiment, painting’s intention and amusement esprit of Cho Hŭiryong’s literature: Ik-Cheol Shin; Korean J Art Hist. 2020;306:39-68. Published online June 30, 2020; DOI: https://doi.org/10.31065/ahak.306.306.202006.002; PDF

Painting of Woven Paper: Marriage of Painting and Weaving: Su-Yeon Kim; Korean J Art Hist. 2020;306:5-38. Published online June 30, 2020; DOI: https://doi.org/10.31065/ahak.306.306.202006.001; PDF

Changing European Perceptions and Images on China through the Eighteenth Century: Kyunghyun Choi; Korean J Art Hist. 2020;305:197-219. Published online March 31, 2020; DOI: https://doi.org/10.31065/ahak.305.305.202003.007; PDF

Ancient Religious Art from the Óc Eo Civilization in Southern Vietnam: Heejung Kang; Korean J Art Hist. 2020;305:171-196. Published online March 31, 2020; DOI: https://doi.org/10.31065/ahak.305.305.202003.006; PDF

Debating Wang Meng’s (1308-1385) Undated Handscroll: The Continuous Dialogue between Images and Texts in China: Mina Kim; Korean J Art Hist. 2020;305:149-170. Published online March 31, 2020; DOI: https://doi.org/10.31065/ahak.305.305.202003.005; PDF

North Korean Art, North Korean Art of 1950s, North Korea and East Europe, Art Exchange of North Korea: Joohyun Lee; Korean J Art Hist. 2020;305:109-147. Published online March 31, 2020; DOI: https://doi.org/10.31065/ahak.305.305.202003.004; PDF

Significance and Function of Jo Huiryong’s Painting in Exile to Imja Island: Myunghee Son; Korean J Art Hist. 2020;305:79-107. Published online March 31, 2020; DOI: https://doi.org/10.31065/ahak.305.305.202003.003; PDF

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